The URSA Cine Immersive 100G is the first camera built for live immersive production, adding a 100G QSFP28 Ethernet port for SMPTE-2110 live video output so the one camera handles shooting, post production and live production.

Dual 8K sensors built for immersive capture

Dual 8K RGBW sensors deliver 8160 x 7200 resolution per eye at up to 90 fps, with 16 stops of dynamic range. A fixed focal length stereo lens pair covers a field of view beyond 180 degrees, with built-in 2, 4, 6 and 8-stop IR ND filters and discrete per-eye optical calibration metadata.

Recording and monitoring for both eyes

Blackmagic RAW records to the included 8TB Blackmagic Media Module, in constant bitrate from 5:1 to 18:1 or constant quality from Q0 to Q5. Dual 5-inch 1500 nit HDR touchscreens monitor left eye, right eye, punch-in or side-by-side views.

A 100G connection for live 2110 production

The 100G connection carries SMPTE-2110 IP video in and out, with PTP v2 timing and NMOS IS-04 and IS-05 discovery, alongside two 12G-SDI outputs, dual XLR audio inputs with phantom power, and Tri-Sync and timecode reference. SMPTE 2110-22 compressed video supports Apple ProRes HQ, ProRes and ProRes LT with the optional URSA Live Encoder, and the camera's data rate stays under 50 Gb/s, so two cameras can share a single 100G link.

Live immersive production is already happening

Live immersive production is already underway: Spectrum Front Row, a series of live Lakers games captured in Apple Immersive, aired during the 2025-26 season and is now available on demand for Apple Vision Pro. Power runs at +24V DC through an 8-pin Lemo socket, with external control available over a REST API, Bluetooth or the Blackmagic iPad app.